Taylor Guitars 114ce, Grand Auditorium, Solid Sitka Spruce Top, Sapele Back/Sides, Cutaway, ES-T




Regular Price: $1,178.00 | Price with discount: $790.50 | You Save: $387.50 (33%)
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Product Details

  • Gig Bag Included
  • Sapele Back/Sides
  • Grand Auditorium
  • Solid Sitka Spruce Top
  • ES-T Electronics; Cutaway





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Customer Review


Absolutely LOVE this guitar!
If you have ever played a Taylor guitar you know that they are truly amazing. For the most part they are more expensive than other brands but worth every penny. I had played live with a Taylor 314CE several times and can honestly say that the 114CE sounds every bit as good as the Taylor 314CE which costs over twice as much. For those that are wondering, the main difference between the 114CE and the higher Taylor models is the type and amount of "real" wood used on the body. The 114CE has the real wood front with real-wood-looking sides and back (it's actually a laminate). The electrical pickups in these guitars are IDENTICAL to the pickups in the top of the line Taylor models. I play live a lot and the sound is clean, clear and super easy to adjust. The pickup uses a 9v battery that lasts me about a month with live playing, roughly 3 times per week for 2 hours each time. The battery compartment is located on the back end of the body and is easy to change without removing...
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Taylor 114 CE
Not sure if I would buy on online - I would want to hear it first. I bought one of these at my local music store. It has an amazing sound, if you are looking into getting a guitar at around this price (or even a little less). I highly suggest you play one of these and a bunch of others to make up your mind what feels good. The Taylor sound good and will make your playing sound better. It also has great action - making it very easy to play. Often people buy cheap guitars for beginners that are hard to keep in tune and play. This leads to the prospective player loosing interest. Don't do the cycle. Buy a Taylor and if you don't like it, or give up, you can resell it on ebay ;). This isn't solidwood and many people want to move up to solidwood (not composite) however the composite is much better at differing humidity.
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I'm impressed
This guitar is comfortable to hold, easy to play and sounds like a much more expensive guitar. The combination of woods in concert with Taylor"s remarkable engineering make this a concert ready instrument. I was looking for a light weight small body with uncompromising sound and the 114ce delivers. Plug it in and it comes alive. Sometimes when you purchase an item, you can have a bit of buyers remorse after a few days...not a chance with the Taylor. The highs are bright and the lows are quite rich. It comes with 12 gauge Elixers which I have not always appreciated, but in this case I think it may be a perfect match. I play for an 2 hours or more every day and this new addition has earned a spot in my rotation. When I want to play a bright melody, I will reach for this guitar.
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Product Description

Learn About the Taylor Guitars 114ce Model

Quality, style and an attractive price are compelling features you’ll find in the 214 before you even pick one up. Of course, one strum backs everything up with great tone. The Taylor 114ce is a superb option for the budget-minded guitarist or an "extra" guitar for the seasoned player, the 114ce has an extremely rich and versatile voice.

The 114ce offers both the classic look of a rosewood/spruce Dreadnought and optimization for performance with cutaway access and Taylor electronics.

Grand Auditorium Guitars: A Taylor Tradition the Taylor 114ce Continues

Introduced in 1994 to commemorate Taylor’s 20th Anniversary, the Grand Auditorium would go on to establish itself as a definitive Bob Taylor original. Tonally, the guitar embodied the qualities of balance, clarity, and versatility that became hallmark Taylor traits. Visually, the shape gave the world an equally balanced and refined aesthetic of smooth curves. In both respects, the GA was at once big enough and small enough to cover a lot of ground.

The goal, Bob says, was simply to make a guitar that was big like a dreadnought, but without a dreadnought’s traditionally boomy sound, even though the Taylor dreadnought wasn’t boomy compared to other guitar brands. "I was looking for a good, clear tone that had volume when you played fingerstyle, which was pretty popular at the time, but then when you strummed didn’t have too much bass."

The GA has the width and depth of a Dreadnought, but its tapered waist and contours give it the appearance of a smaller instrument, making it comfortable to play. The tonal balance means it’s full in the lower register, present in the midrange, and sparkling on the treble strings.

The GA’s tonal balance also made it a favorite of engineers.

"You put a mic in front of the guitar and set everything to zero, you turn on the tape, and you play," Bob explains. "A lot of studio owners and engineers bought the GA just to put in the studio, because when things started going bad with players' guitars during a session, the engineer would say, 'We can get this job done today if you just play this guitar.' A lot of it was the shape. We made a few bracing changes, but we depended on the shape to change that tone."

More About the 100 Series of Taylor Guitars

Taylor’s 100 Series premium guitars will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and either laminated sapeleback and sides, both series deliver the quality sound and feel you’d expect from a Taylor.

You don’t need to sacrifice great tone and playability when you’re looking for extra value. The sapele laminate 100 Series guitars are the real deal, crafted to deliver the complete Taylor experience, and, with laminate back and sides, are extra resilient.

You can feel good in knowing that when you buy a Taylor at any level, you get precision craftsmanship, and great tone.

Taylor 100 Series Guitars: A Rite of Passage

For some young adults, getting a driver’s license is a rite of passage. For others, getting their first Taylor is. The 100 Series Taylor guitars are perfect for young players who are ready to take things to the next level. With the easiest playability and best intonation in the industry, family porch jams never sounded so good.

Tone and Playability: Hallmarks of 100 Series Guitars

Tone and playability are hallmarks of Taylor guitars, and you’ll find the 100 Series® delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series cutaway and Taylor electronics options. Value, yes. Compromise, no.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world's leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman's attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today's leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift. Top to learn more



Taylor's 114ce features a cutaway and ES-T pickup enhance Taylor's signature Grand Auditorium body shape, for a versatile instrument with style and substance.

114ce Specs

  • Type/Shape: 6-String Grand Auditorium
  • Back & Sides: Sapele Laminate
  • Top: Sitka Spruce
  • Soundhole Rosette: Plastic
  • Neck: Sapele
  • Fretboard: Ebony
  • Fretboard Inlay: Pearloid Dots
  • Headstock Overlay: Indian Rosewood
  • Binding: Black
  • Bridge: Ebony
  • Nut & Saddle: Tusq
  • Tuning Machines: Enclosed, Die-Cast Chrome Plated
  • Scale Length: 25 1/2 Inches
  • Truss Rod: Adjustable
  • Neck Width at Nut: 1 11/16 Inches
  • Number of Frets: 20
  • Fretboard Radius: 15 Inches
  • Bracing: X-Brace
  • Finish: Varnish
  • Color: Natural
  • Cutaway: Venetian
  • Electronics: Taylor ES-T
  • Body Width: 16 Inches
  • Body Depth: 4 5/8 Inches
  • Body Length: 20 Inches
  • Overall Length: 41 Inches

Loud and robust Sapele Laminate back/sides.

Classic pearloid dot inlays.

ES-T pickup onboard.

The Taylor 100 Series
Tone and playability are hallmarks of Taylor guitars, and you'll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Sapele Laminate Back/Sides
This exceptional, mahogany-like wood grows throughout the tropical rain forests of Nigeria and the Ivory Coast of Africa. Ever since we introduced it in 1998, its legion of fans has grown exponentially. As a tonewood, it's denser and harder than mahogany, so it has a crisper, clearer, brighter, "pop"-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.

Varnish Finish
A durable varnish finish offers protection, good looks, and a smooth feel to the touch. The spruce top's beauty shines right through.

Grand Auditorium Body Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitar's tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because we remove mass from the width of the GA's braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA, available as a 6- or 12-sting, is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

Venetian Cutaway
The cutaway allows access to the upper frets. Many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars. Others simply like the freedom of movement into the upper register that a cutaway allows. Nowadays, cutaways are favored as much for their decorative appeal as for their function. The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. Grand Concerts and Grand Auditoriums have a steeper slope, while Dreadnoughts and Jumbos are a bit flatter.

ES-T Pickup
Inspired by Taylor's Expression System technology, the Expression System Transducer, or ES-T, is a single-source, under-saddle transducer with individual elements for each string. (The ES-T was originally called the ES Element, but the name was changed to avoid confusion with another product.) The ES-T has an onboard preamp and the same active controls found on the full Expression System. Featuring a custom-voiced EQ and dynamic response, the system is powered by a 9-volt battery, with a battery life LED power indicator (which is lit when the battery is being used). The pickup also has a Phase switch for feedback control, which is located on the preamp board inside the soundhole.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back. Top to learn more





Taylor Guitars Chocolate Suede Logo Guitar Strap




Regular Price: $35.00 |
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Product Details

  • Feature our logo embroidered on black, honey or chocolate
  • Suede lining helps prevent slipping
  • Specially cut to fit the strap pins on Taylor guitars





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Customer Review


Nice strap
The Taylor strap is very nice and works like a strap should. You will notice that it does not slip around once over the shoulder like the nylon cheap straps do.
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Great smooth strap
I love this strap mostly because it has no metal pieces that can bang against my guitar. It is adjustable and fits guitars that need the string to attach and the ones that need the slot to fit over the button. Love it! (It looks real nice too.)
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Product Description

Suede Taylor Guitar Straps feature our logo embroidered on black, honey or chocolate. Expect a supple and broken-in fit from the moment you strap it on. Suede lining helps prevent slipping, too. Specially cut to fit the strap pins on Taylor guitars. Top to learn more



Taylor-Logo Guitar Strap
This is a well made product.It has no metal parts or buckles to ding your guitar finish. It is fully adjustable, and very comfortable.There are two small problems that may not affect every user.1) Changing the strap length is not a simple "slide the buckle" adjustment. So If you want to use the strap for different positions, it as awkward. I solved that by getting a strap for each guitar.2) The end-pin hole is not over-sized to match the oversize end-pin of the Taylor ES system pickup, so it is a bit fiddly to attach the strap to the guitar. Not all Taylor guitars have the ES system and for these guitars it fits well.
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Taylor Guitars GS Mini Reduced Scale Grand Symphony Acoustic Guitar




Regular Price: $678.00 | Price with discount: $475.00 | You Save: $203.00 (30%)
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Product Details

  • Solid Sitka Spruce Top
  • Reduced Scale Grand Symphony
  • Sapele Laminate Back/Sides
  • Gig Bag Included





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Customer Review


Great Little Guitar!
The GS Mini is a terrific little instrument. Because of the Grand Auditorium shape, it doesn't look like a toy (e.g.,the Baby Taylor). The intonation is spot-on and with the short scale, it feels much "faster" than a full-sized guitar.The sound is not as full or rich as a regular-sized Taylor, but what it lacks in subtlety, it makes up in volume...it's amazingly loud for a miniature guitar.The gig bag is well made and has backpack straps, so there's no reason to leave it behind when you travel. I've had mine for about 3 weeks, and I haven't touched either of my full-sized guitars since I got it. It's really fun to play.My only reservation would be to guitarists with exceptionally large hands or fingers. The fingerboard can get a little crowded.Highly recommended and a great value.
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Taylor GSmini is a winner!
Finally received my GS Mini (Which had been on order for 2 months) and it was worth the wait.I own a number of full-sized taylor guitars (a T5 and a 612-CE) and was looking for a lower-cost acoustic I could throw in the car and take with me when traveling.The GS mini comes with a nice soft-case (a step-above a gig bag IMHO) that has shoulder-straps and a big pocket on the front for tuner, cables, music, etc...The guitar itself is a reduced scale, yet doesn't feel like a "toy" or kids guitar. The sound is impressive. Maybe not a s deep or rich as a full-sized GS or Dreadnought, but plenty full for its size.The guitar arrived with basically a straight neck (no relief), which can cause some string buzz if you dig into it. But once the guitar acclimates to my house and the RH here in New England, I'll tweak the truss rod and give it a bit of relief.Very easy to play up and down the neck, and yet doesn't feel too cramped due to the reduced scale.All in...
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Product Description

GS Mini, Sapele Top to learn more




The Mighty Mini

Perfect for life on the go. Or on the couch.
The GS Mini was designed to be the ultimate musical companion, wherever you go — or stay. Inspired by the big, bold sound of Taylor's award-winning GS body shape, the GS Mini scales things down without skimping on sound, packing a lot of tone into a comfortable, portable size and giving you a guitar that's incredibly fun to play. With Taylor's patented NT® neck, you'll always enjoy signature Taylor intonation and playability. So, wherever you end up, whether you're on tour or on the porch, the GS Mini is always ready to play.

Specifications
  • Model GS Mini
  • Shape Grand Symphony
  • Back/Sides Sapele Laminate
  • Top Solid Sitka Spruce
  • Cutaway None
  • Headstock Overlay Lexan
  • Finish Satin
  • Rosette 3-Ring
  • Neck Sapele
  • Nut Width 1 11/16"
  • Purfling Black/White/Black
  • Fretboard Ebony
  • Inlays 5 mm dots
  • No. of Frets 20
  • Overall Length 36 5/8"
  • Scale Length 23 1/2"
  • Body Length 17 5/8"
  • Body Width 14 3/8"
  • Body Depth 4 7/16"
  • Nut/Saddle Tusq
  • Tuners Chrome
  • Bridge Ebony
  • Bridge Pins Plastic
  • Pickguard Tortoise (GS Mini shape)
  • Electronics None
  • Strings Elixir® Medium Gauge Strings with NANOWEB® Coating
  • Case GS Mini Hardbag

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mini delivers
I bought the Mini to replace a Baby Taylor. It is a better guitar than the Baby Taylor I had, which I really liked for itssound quality and easy action. The Mini is a slightly different box. It plays easily as do most Taylors, deliversa pretty substantial bass for such a small guitar and intonates well. Flatpicking seems to bring out itssonant qualities and there is good separation between strings and between notes. It doesn't break upor sound like a collection of indistinct tones as some smaller boxes might when pushed. The Taylor gigbag is excellent as it was and is for the Baby Taylors. For the Mini it includes a neck support, a good safetyfeature. Taylor markets a pickup for this guitar and I could see using it in performance, but I will keepmine at home, right next to my bed, to pick up and play when a musical idea comes along. I recommendthe guitar to anyone looking for a decent travel size guitar with a big guitar feel. I won't...
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Taylor Guitars Polish Cloth, Tan




Regular Price: $6.00 | Price with discount: $5.50 | You Save: $0.50 (8%)
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Product Details

  • Ultra-soft microfiber cloth will help you place a sweet shine on your Taylor.
  • Tan, measuring 11-1/2 x 11-1/2, the polishing cloth features the Taylor logo emblazoned near the confront.





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Customer Review


Great Polish Cloth - Seagull guitar -
Works as a charm.. I play a Seagull and on their website they specifically told customer to use only a soapy based product to clean the guitar. I use Dunlop 65 with this polish cloth.. GREAT GREAT GREAT results..
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Excellent cloth for polishing a guitar.
This is an exzcellent cloth for cleaning/polishing my guitars after use. The quality appears to be exceptional and the service was excellent as well. I am sold om quality and service that Amazon.Com provides.
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Nice
The Taylor polish cloth, like all Taylor products. Is a excellent way to keep your Taylor guitar clean. I would buy it again tomorrow..
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Product Description

Polishing Cloth. Our ultra-soft microfiber cloth will help you put a sweet shine on your Taylor. Tan, measuring 11-1/2" x 11-1/2", the polishing cloth features the Taylor logo emblazoned near the corner. Top to learn more




Taylor Guitars DMSM Dave Matthews Signature Model Grand Auditorium Acoustic Electric Guitar




Regular Price: $5,428.00 | Price with discount: $3,299.00 | You Save: $2,129.00 (39%)
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Product Details

  • Cutaway; ES
  • Solid Sitka Spruce Top
  • Grand Auditorium
  • Hardshell Case Included
  • Solid Indian Rosewood Back/Sides





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Customer Review


Awesome Guitar
This guitar plays like a dream. I just picked mine up the other da and am absolutely amazed by this instrument. The tone and balance is incredible.The only thing that could be a little better is the price.
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Product Description

Inspired by Dave Matthews' 914ce, the DMSM is an Indian rosewood/Sitka spruce Grand Auditorium. A custom fretboard inlay blends elements of the popular "Cindy" inlay, which graces Matthews' 914ce, with a design that pays tribute to the band's longtime sax player, LeRoi Moore, who passed away in 2008. Based on a sketch that Matthews provided, a crown inlay between the 11th and 12th frets honors Moore, incorporating ball-tipped points with one ball partially missing in his memory. A nickname of Moore's within the band, "Grux," is inlaid between the 13th and 18th frets. The headstock inlay also was developed from a sketch by Matthews. The guitar top was shaded with an aged toner to approximate the patina Matthews has on his older 914ce. Each DMSM comes with a custom guitar label and a certificate of authenticity, both personally signed by Matthews.

Features:
  • 6-String Grand Auditorium
  • Sitka Spruce top
  • Indian rosewood back and sides
  • Abalone soundhole rosette
  • Dave Matthews signature overlay on headstock and custom inlay on fretboard
  • Ebony fretboard and bridge
  • Bone nut and saddle
  • Gotoh 510 tuners
  • Adjustable truss rode
  • Strung with Elixir Light Gauge Strings with NANOWEB coating

Features Taylor's Grand Auditorium shape and an abalone soundhole rosette.

Taylor's Grand Auditorium Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitars tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removed mass from the width of the GAs braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

A Venitian cutaway in the Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.

Crisp and Bold Tone
The top is made from sitka spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It's these attributes that make sitka spruce an ideal material not only for soundboards, but also for internal bracing. The sitka top will produce a tone slightly brighter tone than engelmann spruce.

The back and sides are made from Indian rosewood, which is coveted by players and guitar builders alike for its dark, luxurious coloration that ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.


Inspired by Dave Matthews' 914ce.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the DMSM were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The DMSM pearl and abalone inlay and binding work was also done by hand, providing care and "touch" that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too "bassy," for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the DMSM is not compromised.


Headstock overlay developed from Dave Matthews' sketch.

Features inlays that pay tribute to the band's longtime sax player, LeRoi Moore, who passed away in 2008.

Straight Necks Matter
Don't all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon--often resulting in a slight bump at the 14th fret--but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck on the DMSM means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the DMSM guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

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Taylor Guitars 114, Grand Auditorium, Solid Sitka Spruce Top, Sapele Back/Sides, Left



Regular Price: $878.00 |
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Product Details

  • Scalloped Bracing
  • Solid Sitka Spruce Top
  • Grand Auditorium
  • Gig Bag Included
  • Sapele Back/Sides





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Product Description

Learn About the Taylor Guitars 114 Model Left-Handed Model

Quality, style and an attractive price are compelling features you’ll find in the 214 before you even pick one up. Of course, one strum backs everything up with great tone. The Taylor 114 is a superb option for the budget-minded guitarist or an “extra” guitar for the seasoned player, the 114 has an extremely rich and versatile voice.

This particular model of the Taylor 114 is especially designed to meet the needs of left-handed guitars.

Grand Auditorium Guitars: A Taylor Tradition the Taylor 114 Continues

Introduced in 1994 to commemorate Taylor’s 20th Anniversary, the Grand Auditorium would go on to establish itself as a definitive Bob Taylor original. Tonally, the guitar embodied the qualities of balance, clarity, and versatility that became hallmark Taylor traits. Visually, the shape gave the world an equally balanced and refined aesthetic of smooth curves. In both respects, the GA was at once big enough and small enough to cover a lot of ground.

The goal, Bob says, was simply to make a guitar that was big like a dreadnought, but without a dreadnought’s traditionally boomy sound, even though the Taylor Dreadnought wasn’t boomy compared to other guitar brands. “I was looking for a good, clear tone that had volume when you played fingerstyle, which was pretty popular at the time, but then when you strummed didn’t have too much bass.”

The GA has the width and depth of a Dreadnought, but its tapered waist and contours give it the appearance of a smaller instrument, making it comfortable to play. The tonal balance means it’s full in the lower register, present in the midrange, and sparkling on the treble strings.

The GA’s tonal balance also made it a favorite of engineers.

"You put a mic in front of the guitar and set everything to zero, you turn on the tape, and you play," Bob explains. "A lot of studio owners and engineers bought the GA just to put in the studio, because when things started going bad with players' guitars during a session, the engineer would say, 'We can get this job done today if you just play this guitar.' A lot of it was the shape. We made a few bracing changes, but we depended on the shape to change that tone."

More About the 100 Series of Taylor Guitars

Taylor’s 100 Series premium guitars will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and either laminated sapeleback and sides, both series deliver the quality sound and feel you’d expect from a Taylor.

You don’t need to sacrifice great tone and playability when you’re looking for extra value. The sapele laminate 100 Series guitars are the real deal, crafted to deliver the complete Taylor experience, and, with laminate back and sides, are extra resilient.

You can feel good in knowing that when you buy a Taylor at any level, you get precision craftsmanship, and great tone.

Taylor 100 Series Guitars: A Rite of Passage

For some young adults, getting a driver’s license is a rite of passage. For others, getting their first Taylor is. The 100 Series Taylor guitars are perfect for young players who are ready to take things to the next level. With the easiest playability and best intonation in the industry, family porch jams never sounded so good.

Tone and Playability: Hallmarks of 100 Series Guitars

Tone and playability are hallmarks of Taylor guitars, and you’ll find the 100 Series® delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series cutaway and Taylor electronics options. Value, yes. Compromise, no.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world's leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman's attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today's leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift. Top to learn more



Taylor's popular Grand Auditorium shape joins the 100 Series, and for left-handed players. The 114 embodies the signature Taylor look, tone and feel--in an affordable package.

114 LFT Specs

  • Type/Shape: 6-String Grand Auditorium
  • Back & Sides: Sapele Laminate
  • Top: Sitka Spruce
  • Soundhole Rosette: Plastic
  • Neck: Sapele
  • Fretboard: Ebony
  • Fretboard Inlay: Pearloid Dots
  • Headstock Overlay: Indian Rosewood
  • Binding: Black
  • Bridge: Ebony
  • Nut & Saddle: Tusq
  • Tuning Machines: Enclosed, Die-Cast Chrome Plated
  • Scale Length: 25 1/2 Inches
  • Truss Rod: Adjustable
  • Neck Width at Nut: 1 11/16 Inches
  • Number of Frets: 20
  • Fretboard Radius: 15 Inches
  • Bracing: X-Brace
  • Finish: Varnish
  • Color: Natural
  • Body Width: 16 Inches
  • Body Depth: 4 5/8 Inches
  • Body Length: 20 Inches
  • Overall Length: 41 Inches

Loud and robust Sapele Laminate back/sides.

Classic pearloid dot inlays.

The Taylor 100 Series
Tone and playability are hallmarks of Taylor guitars, and you'll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Sapele Laminate Back/Sides
This exceptional, mahogany-like wood grows throughout the tropical rain forests of Nigeria and the Ivory Coast of Africa. Ever since we introduced it in 1998, its legion of fans has grown exponentially. As a tonewood, it's denser and harder than mahogany, so it has a crisper, clearer, brighter, "pop"-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.

Varnish Finish
A durable varnish finish offers protection, good looks, and a smooth feel to the touch. The spruce top's beauty shines right through.

Grand Auditorium Body Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitar's tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because we remove mass from the width of the GA's braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA, available as a 6- or 12-sting, is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back. Top to learn more



BUY Taylor Guitars 114, Grand Auditorium, Solid Sitka Spruce Top, Sapele Back/Sides, Left



Taylor Guitars


A demo of how acoustic guitar  shapes  and  woods  affect tone The Taylor "Petting Zoo," where you can test-drive a variety of Taylor guitars Knowledgeable Taylor staff who can help you find the right guitar A wide selection of Taylor guitars for... The Taylor Guitars Road Show is all about guitars, giving you a chance to talk shop with the Taylor team, meet like-minded players, and play some of Taylor&rsquo. We are hosting a special in store event on Thursday 10th May at our Harlow Store, an evening to celebrate all things Taylor - the Taylor Guitar Roadshow comes to GigGear.

Left-handed body 6-String Dreadnought with Venetian cutaway Better amplification with the Taylor Expression System Sitka Spruce top Ovangkol back and sides Ebony fretboard and bridge Tusq nut and saddle Chrome-plated Taylor tuners Adjustable truss...

THE SPECS Top Wood Sitka Spruce Back/Side Wood Sapele Laminate Body Length 17 5/8″ Body Width 14 3/8″ Neck Width 1-11/16″ Body Depth 4 7/16″ Number of Strings 6 Fretboard Radius 15″ Fretboard Wood Ebony Number of Frets 20 Scale length 23-1/2″... The GS Mini has a similar look and feel to the more expensive Taylor guitars as well as that consistency in tone Taylor offers, just in a smaller and more affordable package. Pros: Fun to play, Great tone, Light weight, Easy to transport, Optional Pickup system, Stays in tune, Great action.

Sonoma Wire Works has added a free, high-visibility tuner and the GuitarJack Model 2 control panel to the Taylor EQ iOS app: an input EQ for enhancing the sound of a Taylor guitar when played through GuitarJack on an iOS device. While the Taylor EQ app will work with most iOS guitar adapters and any acoustic guitar, it is optimized for use with the GuitarJack and Taylor guitars equipped with the company's Expression System for the highest quality sound. Most Taylor EQ features are also included in FourTrack to enhance recordings of Taylor guitars or any acoustic guitar. Taylor EQ is a free app that includes the GuitarJack control panel, which allows users to configure the GuitarJack settings and levels, then quit to launch a third party app. Players can also create a custom tone for any guitar by using the six-band parametric equalizer in Advanced EQ mode, and play along to their favorite songs by launching Taylor EQ while the iPod app is playing.




Taylor s News


 
  • Guitarist Leo Kottke Awes A Full House at Landmark


    The crowd, a mix of all ages and types, had come to see the guitar legend, Leo Kottke, perform his magic on Saturday at March 31. And perform it he did, on a stage sparsely set with just a throw rug, folding chair, microphone and his two Taylor guitars

  • MESSE12: Free Taylor Guitars EQ iOS App Updated


    Sonoma Wire Works has added a free, high-visibility tuner and the GuitarJack Model 2 control panel to the Taylor EQ iOS app: an input EQ for enhancing the sound of a Taylor guitar when played through GuitarJack on an iOS device.

  • Taylor Guitars Launches 2012 Road Show World Tour


    Back by player demand, the award-winning Taylor Guitars Road Show is returning to dealers around the globe. The fun and informative in-store event gives fans the opportunity to connect with Taylor factory staff, play exceptional one-off guitars,

 
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