All The Stops: The Glorious Pipe Organ And Its American Masters
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Customer Review
Excellent modern history
I was pleased to discover Craig Whitney's "All the Stops" when a friend recently received a copy of the book. I was even more satisfied when I bought my own copy and finished reading it.Whitney has done a remarkable service to the world of pipe organs. For those of us who play the organ "All the Stops" contains a rich history of the instrument over the past one hundred years and it is told by an author who is an unabashed organ fan and player himself. Reading this book is like witnessing a tug of war on several levels. There is a battle of organ builders about whether or not to use tracker or electropneumatic action. Wars rage with regard to pipe vs. electric organs. How good are European organs when compared to organs in America? How much input should an organist have with regard to a particular organ being built? As Whitney underscores, the organ world is a rather elite one with egos and tempers as big as the instruments on which organists play. And all of...
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Authoritative without being pedantic
As Whitney quotes one expert, organists are an odd lot for musicians: They often work out of sight, and almost never show much interest in other classical music. So I doubt this book will become a mainstream best-seller, but it has much to recommend it.Whitney manages to combine a history of the pipe organ in America, especially its flourishing from about 1925 to 1975 with the personalities of the builders (Skinner, Harrison and Fisk) and two performers who defined the age. Patrician, starchy E. Power Biggs (b. 1906) who came to represent the "back to basics" German school of playing, and the flamboyant Virgil Fox (b. 1912) who promoted the romantic orchestral sound of the organ.There's just enough background to understand the different schools of organ building (North German, English, French and American Eclectic) without getting bogged down in stoplists. Whitney is a keen observer of the instruments and the politics, so this book ends up being a combination of...
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Excellent Book!
I received this book as a Christmas present this past year. It didn't take me long to read it from cover to cover! Whitney provides a great history of the pipe organ from E.M. Skinner's era up through today, including two very informational biographies of both E. Power Biggs and Virgil Fox, the organ showmen of the 20th century.I would highly recommend this book to anyone even remotely interested in the pipe organ. Whitney has a very easy writing style to read, often incorporating definitions of the organ terms he uses as he goes along. He also includes a glossary of other terms at the end for further clarification. I thoroughly enjoyed this book!And just as an end note, I believe that those who review books online (such as Bob Myers, July 14 2003, below) should remember that this is a chance to voice OPINIONS. Nobody can judge an opinion, such as his statement that this book is "boring." But it would be much more accurate for him to state that this book is, in...
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Product Description
From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders could hardly fill the huge demand for both concert hall and home organs. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the tonal clarity and precision that instruments of the baroque period had, while another took electronic organs to rock concert halls, where younger listeners could be found. In his critically acclaimed book, New York Times journalist and editor - and passionate amateur organist - Craig Whitney brings the colorful history of the American pipe organ to life. Each book also contains a bonus CD with Whitney's witty and wise introduction to the magnificent mechanics and majestic music of the pipe organ. The result is a joyful celebration of a remarkable instrument that will delight organ buffs, music fans, and general readers alike. Top to learn more







Interesting, a few shortcomings