Wm. S. Haynes Flute (Solid Silver French Model with B Footjoint)

This balance is practiced so that when the flute is held up on your face, the lips are free to vibrate even if the placement is rather high on the lips/chin compared to the  ideal American placement …. for  as Moyse states the lips should be like... Amother difference which helps produce these two different tone quality results (I believe )from  a  difference in the  location  of the headjoint on your lip/chin: i. e. where  you  place the flute on your face. That is the flute is  supported in three place: the right hand thunb, the left hand pointer finger knuckle and the little pinkie of the right hand. The French tend to put the lip plate up rather high on the lower lip while the Americans tend to advocate placing the lip plate in the indentation below the bottom lip…. is to line the center of your headjoint embouchure hole with the center of the first key on the body of the flute. I think that to some degree these diferences have to do with the diferrent ways that every flute maker makes their lip plate shapes and embouchure cuts. Essentially it aligns the middle of the embouchure hole on the headjoint with the far edge of the first key on the body of the flute. The footjoint should also be put together with the rods on the footjoint dissecting the middle of the D key on the body of the flute. There are different  schools of thought on how to align your flute…. However, this can cause the player to actually “press” the flute rather hard against the chin…. how to hold the flute also affects the resulting sound.

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