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Key of BBb. 1.182" bore. One-piece body. Resotone wood-like finish. Nickel plated keys. Range to low Eb. Top to learn more
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Regular Price: $99.00 | |
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Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets.
Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them.
Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music. Top to learn more
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Product Details
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Vito model 7182 contrabass clarinet is pitched one octave lower than the bass clarinet. Its deep, dark tone adds incredible richness to the bass section of any ensemble.It is in the key of Bb and features a 1.182" bore, one-piece body, Resotone wood-like finish, nickel-plated keys, and a range to low Eb.. Top to learn more
|
Regular Price: $99.00 | |
Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly. |
Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music. Top to learn more
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Regular Price: $18.99 | |
Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly. |
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Price with discount: $433.15 | |
Dear visitor! This website has been designed to help you find THE BEST PRICE. When you are ready to buy, your payment will be processed through one of the most TRUSTED SUPPLIERS directly. |
The main purpose of Music That's Nu2Me is to allow viewers to hear songs and bands they may not otherwise hear from mainstream media and broaden their music libraries. We do not intend to claim ownership of any of the music posted on Nu2Me.
Boris Hauf – Proxemics (Creative Sources, 2011) ****. On Proxemics, released almost simultaneously with the other album, we find Hauf back in the company of Steven Hess on drums and electronics, Keefe Jackson on contrabass clarinet and tenor sax,... On “Next Delusion” he is accompanied by Keefe Jackson on tenor sax and contrabass clarinet, Jason Stein on bass clarinet and the triple percussion line-up of Frank Rosaly, Steven Hess, and Michael Hartman on drums. On the last track Hauf plays harmonium, laying a sonic foundation for the whole piece, which in a way evolves differently, with the various instruments, and especially the saxes playing actual phrases, creating a crisp and bright ending to an... The second track starts without percussion, with the three saxes playing slow subtle harmonic shifts, to be suddenly interrupted by a triple percussion outburst, then gradually both conflicting approaches overlap and end in harmony. Juun’s piano adds a lot, from percussive moments, over scraping sounds and harp-like playing to real piano phrases, even if repetitive. The minimalism is quite strong, with long single-toned lines, somehow a little flexed to increase intensity and with powerful interaction between the four musicians : slow, feeding off each other, adding a touch here and there, building the...
He plays an active role in our Wind Ensemble on the contrabass clarinet and is pianist for the Kingston High School Jazz Ensemble and is one of the band's equipment managers.” As I interviewed the KHS junior, I was once again wowed by the talented life
EDISON — Phil Kim has been playing the contrabass clarinet for only two years, but he's already become advanced enough to earn very special instrumental recognition. After a successful audition at JP Stevens High on January 20, Kim, of Edison,
John B Hedges creates a beautiful clarinet concerto in tribute to Yma Sumac, and the Fort Worth Symphony and Ana Victoria Luperi do it justice. by Gregory Sullivan Isaacs Fort Worth — Who was Yma Sumac and what did she have to do with the clarinet?
