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LOUIS ARMSTRONG - HELLO DOLLY - 1964 B/W A LOT OF LIVIN TO DO disc has some scuffing but plays excellent - UK - LONDON - 7" VINYL / 45 Top to learn more
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CLASSIC RECORDINGS
Artie Shaw, still alive and kicking ( at age 91, born 23 May, 1910) at this writing, is perhaps the most brilliantly intellectual of all the great Big Band leaders. A genius whose moody, perfectionist personality won him beautiful wives such as Lana Turner and Ava Gardner, Shaw was my favourite leader of the fabled Big Band Era. His 1936 orchestra had included strings which was highly unusual for a jazz band in those days; his version of "Japanese Sandman" for instance is surprisingly very good. Artie's 1937 orchestra, in my opinion was just awful. Horrible. Tinny, screechy and musically inept; he was trying too hard, I suspect. As a teen-ager, I owned his '37 recordings of "Night and Day" "Non-Stop Flight" (his 1938 version of this instrumental opus which he wrote himself is terrific!) "I Surrender, Dear" among others. In early 1938, however, Artie re-organized his band and it is that band which remains the public's favourite: "Begin the...
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Great swing! A good compilation...but there are better ones!
This compilation, from the RCA Victor "budget jazz" line, contains fourteen tracks of music by master swing clarinetist and big band leader Artie Shaw. Shaw, a consummate musician with no taste for the `business' side of the music business (he kept disbanding his orchestras at the height of their popularity whenever he felt artistically compromised), was one of greatest and most vital musicians of the swing era, and the pieces here show him at his best with two of his big bands.However, this compilation is weaker than some of the others on the market right now. "Begin the Beguine" from the Bluebird Treasury Series and "The Very Best of Artie Shaw," also from RCA Victor, are longer collections with a better survey of Shaw's music, and cost comparatively only a bit more. Most of the important tracks on this album ("Begin the Beguine," "Frenesi," and "Oh! Lady Be Good") are also on these collections, plus they have a greater selection of music from some of Artie Shaw's more unusual...
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One of the Era's Best
Overshadowed by other leaders and by his own personal life, Shaw is one of the great underappreciated gems of the big band era. It's a doggone shame that more of his work is not currently available-- if RCA was on the ball, we'd have the cd version of his complete recordings. Goodman, Dorsey, even Miller, had moments when their musical judgement lapsed, but Shaw never made a bad record in his life. There should be bigger and better collections available, but for the time being, this will have to do. Here are some of the most perfect recordings of the era-- this is a must have collection, at least until someone becomes a bit more genrous and actually fills up the cd with goodies...
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Ebay sellers could possibly offer great vintage guitars in an a lot reduce price than youd show them off-line. Comfort – If you wish to get an excellent expense on a retro guitar real world, possibly you have to shell out a lot of time browsing. Antique outlet stores, garage earnings, personal categorized ads in addition to guitar indicates just about all might have practicing the guitar youve already been yearning to see. Along with online looking, youll certainly be prepared to see in an instant if your guitar for sale could be the one particular you wish, as well as listings are easy to encounter. Benefits of Purchasing Vintage Guitars World wide web 1. If youve seen the bringing up reputation and value of vintage various instruments, you could possibly would like to look at acquiring on the internet. The on the internet marketplace provides an abundance of wonderful guitars, generally in great charges.
I learned a lot that year, struggling every week to have my harmony exercises done on time while César came every week with more exercises than we were asked to do. He was brilliant and our teacher nicknamed him “César Franck. In this first movement there is a combination of sharply rhythmic passages, creating poly-rhythms and poly-pulses with intensely lyrical phrases from the clarinet and the first violin. The fourth and last movement, Pulso Florido (florid pulse), is strong, energetic and eminently rhythmic with passages of instrumental virtuosity between the clarinet and first violin. On this complex but thin and light rhythmic tapestry, the clarinet and first violin join to expose the main theme, which returns later. One of the most fertile conjunctions in the history of music has been the combination of the smooth sonority of the clarinet and the resonant sound of stringed instruments &mdash. And that combination of sonorities has at particular moments been energized by the close friendship between a superb clarinet player and a particular composer &mdash. from Mozart and clarinetist Anton Stadler, and Carl Maria von Weber and clarinetist Heinrich Baermann, to Brahms and clarinetist Richard Mühlfeld, and Carl Nielsen and clarinetist Aage Oxenvad. The strings deploy rapid polyrhthmic arpeggios while the clarinet and cello play slow and expressive contrapuntal melodies which create a beautiful contrast.
The remainder of the time we spent on taking lots of bass clarinet samples for the piece Jess and I will be writing, talked a lot about basics of bass clarinet and basics of electronics. In December we will continue our work together in Edinburgh, focusing this time on the piece for bass clarinet and live electronics that we are making together. Since the residency I and Jess have been working a lot more on all that we got started at STEIM. Written in 1971, it was great to experience playing this piece which is probably the first piece for bass clarinet and live electronics in history.
Gradin will perform the Weber Concertino for Clarinet by Carl Maria von Weber with the symphony. "It's a pretty diverse piece," the 17-year-old said. "It has a lot of different feelings in it. I can depict a lot of feelings to the audience.
Sprinting, acoustic jazz quartet Endangered Blood, featuring Oscar Noriega (alto saxophone and bass clarinet), Trevor Dunn (bass), Jim Black (drums), and Chris Speed (tenor saxophone), the latter of whom composes much of the group's music,
To us that was a lot." Along with being a brilliant saxophone and clarinet player for his orchestra, Eugenio would also fix string instruments in his small shop in Weslaco. Unfortunately in 1972, Eugenio Gutierrez would pass away after a battle with
